Books
Beautiful, Gruesome, and True: Artists at Work in the Face of War
Etel Adnan
Selected Essays
Paris and Everywhere Else, Manazir Journal
Ipek Duben Scrambles the Canon, Ipek Duben: The Skin, Body, and I
L’argent ne fait pas le bonheur, Huguette Caland: A Life in a Few Lines
Break, Learn, and Build: On the 60th Venice Biennale, The Public Review
Recent Criticism
Henry Taylor at Musée Picasso, Paris, E-Flux Criticism
Mona Hatoum at Fondazione Prada, Milan, E-Flux Criticism
Hashem Shakeri’s Portrait of a Climate Hotspot in Iran, Aperture
The Lord by Soraya Antonius, 4Columns
The Life and Work of Inji Efflatoun, Bookforum
Hold Everything Dear by John Berger, 4Columns
“All Manner of Experiments: Legacies of the Baghdad Modern Art Group,” E-Flux Criticism
On the Evolution of Slavs and Tatars, Mousse
Lawrence Abu Hamdan Turns Sound into Powerful Evidence, Frieze
Sakir Khadir’s Portraits of Palestinian Perseverance, Aperture
“Tribute to Abdel Hamid Baalbaki,” E-Flux Criticism
Sara Kontar: A Record of Exile from Syria, Aperture
Antonio Obá at Centre d’Art Contemporain Genève, E-Flux Criticism
Barbara Chase-Riboud’s “When a Knot Is Undone,” 4Columns
Marwan Rechmaoui’s “Chasing the Sun,” E-Flux Criticism
Hamed Abdalla at Zentrum Paul Klee, E-Flux Criticism
Interviews with Artists
Bodies in Motion, Bodies at Rest: In Conversation with Ali Cherri, Mousse / TextWork
In conversation with Ali Eyal, Whitney Biennial 2026
In conversation with Alia Farid, Mousse
Saloua Raouda Choucair, Trajectory of a Line (The Pharaonic), 1957–59, wood, 43 x 27 x 16 cm. Image courtesy the Saloua Raouda Choucair Foundation/Artists Rights Society (ARS), New York.
Hashem Shakeri, from the series The Kahur Does Not Fall Unless the Earth Wills It, Balochistan, Iran, 2018–ongoing. Image courtesy the artist.
Hamed Abdalla, Poem (detail), 1970, acrylic on canvas, 101 × 73 cm. Image courtesy of the artist’s estate. Image copyright the artist’s estate.